(no subject)
Apr. 21st, 2011 05:26 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
So I remember the brou-ha-ha that erupted the last time that I implied that the live-action whitewash of obviously Asian animated characters was questionable ethically, morally and artistically (specifically, the mega-blockbuster Oscar-winning epic critically panned, turgid piece of shit box-office flop by M. Night Shyamalan, Avatar: The Last Airbender). Because of what went down last time I was initially reluctant to talk about this, but then I remembered that, like the honey badger, I don't give a shit. Also like the honey badger, I kill cobras with my teeth -- but that's neither here nor there.
This time Hollywood is whitewashing Akira, which is extra-stupid because Akira is a fundamentally Japanese anime that is, at its core, an exploration of the psychology and consumerization of postwar Japan.
Here is the shortlist of actors being considered for the roles of the two leads, Tetsuo and Kaneda:

I'm going to say this again. These are the actors being considered for the role of Neo-Tokyo residents Tetsuo Shima and Shotaro Kaneda, the protagonists of a cyberpunk parable about the conflicted identity of Americanized postwar Japan.
George Takei is far more eloquent than I am about this topic, both on his twitter and in various interviews around the web. Me, I'm just going to tell you to look at that picture above, and then watch Akira, and then draw your own conclusions. Unless they're stupid, in which case don't do that and just take it on faith that, just like last time, this is ethically, morally and artistically bankrupt.
This time Hollywood is whitewashing Akira, which is extra-stupid because Akira is a fundamentally Japanese anime that is, at its core, an exploration of the psychology and consumerization of postwar Japan.
Here is the shortlist of actors being considered for the roles of the two leads, Tetsuo and Kaneda:

I'm going to say this again. These are the actors being considered for the role of Neo-Tokyo residents Tetsuo Shima and Shotaro Kaneda, the protagonists of a cyberpunk parable about the conflicted identity of Americanized postwar Japan.
George Takei is far more eloquent than I am about this topic, both on his twitter and in various interviews around the web. Me, I'm just going to tell you to look at that picture above, and then watch Akira, and then draw your own conclusions. Unless they're stupid, in which case don't do that and just take it on faith that, just like last time, this is ethically, morally and artistically bankrupt.
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